Friday, 25 June 2010

PERSUASION - Preparing tomorrow's meeting at the library. Questions and answers.



I'm preparing some notes for tomorrow's meeting at the library. Just some points for discussion. Questions more than answers. Let's hope they can stimulate good discussion and end , positively,  the experience of reading Austen's major six.

Here are some of my points/questions. I'd love to hear any other suggestion from you, of course.

1. Is Anne a frail or a strong woman? What do you most like in her? What, instead, do you like the least? 
2. What about Captain Wentworth? Is he too proud, too austere, too resentful toward Anne? What do you most admire in his character? Is there anything you don't like?
3. What is the role of parents in Persuasion? What kinds of examples do they set for their own children?
4. What rhetorical and narrative techniques does Austen employ in her novel? How do they affect the novel's overall narration?
5. Which characters change throughout the course of the novel? Which ones remain static? What are the larger implications for this personal growth or stagnation?
6. Why is it so important to keep Kellynch within the Elliot family? How important is Kellynch to the different members of the family?
7. Does Persuasion challenge or defend the status of class structure in early nineteenth century British society? How?
8. What is the significance of the title "Persuasion"? How are the novel's characters positively and negatively affected by persuasion in the story?
 9. The rogue in Persuasion: Mr Elliot, Anne’s cousin. Comparison with other similar male figures in Austen’s major works.
10. Persuasion, like Mansfield Park , has a number of characters who are in the navy. How positively/negatively are they depicted?
11. How the depiction of the warm – hearted naval families contrast with Anne’s own family? (her vain and rank-proud Baronet father and her cold and selfish elder sister)
12. Is Persuasion a romantic novel? Why or why not?



We are also going to compare some scenes from Persuasion adaptations 1995 and 2007.  First of all, the scenes in which Anne and Frederick Wentworth meet again after 8 years ; then the scene Jane Austen didn't include in the final version of the story but which she had written in a first version and which is present in both movies: Wentworth speaking on admiral Croft's behalf and offering to give Kellynch Hall back to Anne and her husband -to- be (Mr Elliot)  ;  finally , and of course, the endings of the two film versions.

Before leaving you, as I promised,  here are the answers to the quizzes I posted here


QUESTIONS & ANSWERS
I / I How old is Anne Elliot?
Twenty-seven—a rather more advanced age in the early nineteenth century than it might seem now.

1/2 What is the dominant element in Sir Walter's character?
'Vanity was the beginning and the end of Sir Walter Elliot's character' —vanity in the sense of 'egoism' and, secondarily, 'futility' ('vanity of vanities, saith the Preacher': in this case, implieth the novelist).

1/3 Why is the period (1814) propitious for the letting out of fine country houses like Kellynch Hall? And who duly rents the establishment?
The end of the Napoleonic Wars, certified by the Peace of Paris in June 1814, means that there will be a harvestable crop of 'rich Navy Officers ashore', demobilized, wanting to relax and spend their prize money in leisured, elegant surroundings that they have not been able to assemble themselves, being preoccupied with the defence of the realm. Peace (after victorious war) is good for real estate. Admiral Croft duly succeeds as occupant of Sir Walter's Somerset seat.

1/4 How are the Crofts related to the Wentworths?
Mrs Croft, the Admiral's wife, is the elder sister of Frederick Wentworth.
1/5 What is Mrs Clay's connection with the Elliot family?
She is the widowed daughter of Sir Walter's wily lawyer and agent, Mr Shepherd. Mrs Clay also has her wiles and as 'a clever young woman' has Sir Walter in her sights. Her freckles and worryingly prominent tooth may disadvantage her in his critical eyes; as, to the fastidious Sir Walter, might her 'clumsy wrist' (evident, presumably, when she plays any instrument such as the harp). She will also have to combat the apprehension of Lady Russell and Anne (whose position, with a stepmother her own age, would be impossible). All we know of Mrs Clay's marriage is that it was 'unprosperous' and, luckily for her, brief. We can only speculate what prematurely did for the late and unlamented Mr Clay. The couple had two children, of whom we know nothing more than that they exist.



1/6 What rank was Lady Russell's departed husband?
'Only a knight'.

1/7 What formal schooling has Anne received?
Three years at school in Bath, following her mother's death, when she was 14 and in the way at home. She disliked it. She is the only Austen heroine who has attended school. It is not, one gathers—from the examples of Louisa and Henrietta—a good thing to have been educated away from home (although in their case, it may have contributed to their exuberant self-confidence). Unlike Emma  Woodhouse, Anne knew her mother (whom she resembled), loved her, and was—as we guess—psychologically hurt, if not damaged, by the bereavement.

1/8 What profession was Frederick Wentworth's father?
We never know. His brother was a humble curate at Monkford, 'a nobody', as Sir Walter kindly puts it. The family does not, we suspect, have much in the way of private means. It is true that the Revd Edward  Wentworth is now married and has a living in Shropshire, and has made a little way up in the world—but he is clearly only a country cleric, of modest means compared to his nautical brother.
1/9 Why cannot Anne accompany the Charles Musgroves on their first visit to the Crofts at Kellynch Hall? Because Charles's curricle only carries two people—one passenger and one to drive.

1/10 How do Anne and Frederick greet each other, after eight years' separation?
'A bow, a curtsey'.

1/11 How many Charleses are there in the novel, and how many Walters?
Children are named as putative heirs. Charles Musgrove is named after his father, and his eldest son, little Charles, is named after him. Charles's second son, Walter, is named after his maternal grandfather, from whom he can reasonably expect a bequest (assuming the vain baronet does not spend all his substance before he dies). Sir Walter's distant heir, William, has Walter as his middle name. There are two other Charleses in the narrative, Charles Hay ter and Charles Smith. It creates an occasional confusion.

1/12 How often has Mary Musgrove been in her relatives', the Hayters', house at Winthrop?
'Never . . . above twice in my life'. Her father's daughter, she despises the connection as 'low'—or, at least, beneath a baronet's youngest child.

1/13 Has Anne ever visited Lyme before?
Apparently not, judging by the apparent novelty of the tour they all take around the resort, and Anne's later saying to Wentworth 'I should very much like to see Lyme again'. It may seem odd, the coast being so near Kellynch; but the resort was not fashionable (an all-important
consideration for Sir Walter). An early nineteenth-century guidebook tactfully recommends Lyme as being suitable for people of limited income: 'a retired spot. . . lodgings and boarding at Lyme are not merely reasonable, they are even cheap; amusements for the healthy, and accommodations for the sick, are within the reach of ordinary resources.' Definitely not somewhere for a conceited baronet and his family.

1/14 What is Lady Russell's favourite recreation?
Like Anne's, reading. She likes books and bookish people. It is something that has gone against both Frederick (man of action) and Charles Musgrove (sportsman) as suitors for her protegee, Anne.

1/15 What is the 'domestic hurricane' in the Musgrove household?
Christmas festivities, when all the children are home from school. Along with Scott's Marmion (1808), the novel offers one of the fullest literary descriptions of how the holiday was celebrated in the early nineteenth century, before the Victorians made it what it now is.

1/16 Bath rings to the bawling of street vendors (such as muffin-men and milk-men) and the 'ceaseless clink of pattens '? What are these?
Pattens were wooden soles set upon an iron ring, with straps that were then tied over the instep of the already-shod foot. This raised the wearer about an inch above the wet/muddy/messy road beneath, and hence kept the soft fabric or leather shoes clean and dry. When first invented it seems all classes wore them; but then of course it became obvious that any lady would not be walking in a dirty street, she would be in a carriage; therefore to wear pattens meant you were lower class. In Bath, at this date, pattens were probably being worn mostly by tradeswomen, although a few ladies may have used them just to putter around local shops. Jane Austen and her sister Cassandra certainly wore them in the muddy lanes of Steventon and Deane.

1/17 What does Sir Walter regret in his heir, William's, otherwise satisfactory appearance?
'His being very much under-hung'— that is, having a long lower jaw which projects, unaesthetically, beyond the upper, giving the face a bulldog-like appearance.

1/18 How long must Mr William Elliot decently mourn his deceased wife, before being able to remarry?
About a year, as social arbiters like Lady Russell assume. In fact, he is prepared to ride roughshod over such niceties.

1/19 How big is the blister on Mrs Croft's heel?
'As large', the Admiral says, 'as a three shilling piece' (around an inch and a half). The Crofts in Bath do not believe in wasting their money on coaches when God gave them legs.
1/20 What, in Admiral Croft's view, is James Benwick's principal failing?
 He is a little too 'piano'—or soft (his taste for poetry has done him no good in the profession).

1/21 What kind of acquaintance does Sir Walter tell the Dalrymples he has with Captain Wentworth?
 'A bowing acquaintance'—he merely knows the gentleman's name, and that he is a gentleman.

1/22 How old is William Elliot?
Thirty-four, which makes him the oldest lover in the action (unless we include the self-loving, 54-year-old Sir Walter).


1/23 How much has Captain Wentworth in prize money, to support him in civilian life?
A cool £25,000 (it translates as a seven-figure sum, in modern currency). We discover the sum only late in the novel. As a post-captain, he will get automatic promotion, should he stay in the service.

1/24 When Captain Harville tells Anne 'if I could but make you comprehend what a man suffers when he takes a last look at his wife and children, and watches the boat he has sent them off in, as long as it is in sight, and then turns away and says, "God knows whether we ever meet again.r\ ' what, exactly, is he picturing? The fond father and husband has his wife and family accompany him aboard ship, when embarking on a voyage (which may be for years, and may end in death in battle), before dispatching them back in a liberty boat. It is, in passing, one of the more moving moments in the novel and makes one rather love the bluff sea
dog.

1/25 What is Anne's final good turn in the novel to those less fortunate than her lucky self?
She induces Captain Wentworth to recover Mrs Smith's property in the West Indies, returning that
lady to a decent station in life.

The sixth and last meeting for this JA Book Club will be tomorrow June 26th 2010 at 5 at Subiaco Public Library. Wish me good luck!

Monday, 21 June 2010

RE-WATCHING PERSUASION (1995 & 2007)

PERSUASION 1995

Starring : Amanda Root as Anne Elliot, Ciarán Hinds as Captain Wentworth, Sophie Thompson as Mary Musgrove, Corin Redgrave as Sir Walter Elliot, Victoria Hamilton as Henrietta Musgrove, Fiona Shaw as Mrs. Croft, and Susan Fleetwood as Lady Russell


What I like in this older film version ...
The film manages to capture the poignancy and beauty of the novel and, surprisingly, stays rather faithful to the book. The whole things is very understated and subtle but the body language is electric. Amanda Root and Ciarán Hinds excel as the leads and their on-screen chemistry is unmistakable as smouldering, unexpressed emotions threaten to penetrate the surface of their reserve. To read the great anxiety and breathtaking emotion on a manly face as Ciaràn Hinds's is touching.

I don't know exactly why,  but I find this Persuasion 1995 far more affecting than Pride and Prejudice 1995, though the leads there may be sexier. The supporting cast are wonderful and I'm sure that, if you are a lover of Jane Austen the writer rather than simply adaptions of Jane Austen,  you will like this version.
.


PERSUASION 2007

Starring: Sally Hawkins - Anne Elliot, Rupert Penry-Jones - Captain Frederick Wentworth, Anthony Stewart Head - Sir Walter Elliot, Julia Davis - Elizabeth Elliot, Amanda Hale - Mary Elliot Musgrove, Sam Hazeldine - Charles Musgrove, Nicholas Farrell - Mr. Musgrove, Alice Krige - Lady Russell, Tobias Menzies - William Elliot, Jennifer Higham - Louisa Musgrove



What I like in ITV recent TV movie ...


Actually I saw Persuasion 1995 only after this newer version, as a comparison and for a sense of duty. It was a cult a Janeite can't avoid watching. But Sally Hawkins and Rupert Penry -Jones were in my mind the first visual representations of Anne and her Wentworth that I could compare to the works of my imagination dating back to the first reading of the book.
I had a soft spot for Rupert Penry-Jones when I bought the DVD ,  I had seen him as Adam Carter in Spooks in at least 2 series at that time and watching him as my first Captain Wentworth on screen just took my breath away. He embodied my Captain Wentworth to perfection. The first time he enters that room - and he is utterly dashing -   with his  blue eyes staring at Anne with cold anger,  I can't avoid shivering. Yes , I know, many  Janeite watchers  have claimed that he is too handsome, his features too gentle to realistically embody a  navy captain roughed by sailing. However, I can't but like him, just as he is. A gourgeously fascinating captain Wentworth.
I also liked Sally Hawkins. Just like Amanda Root , she's not dashinlgy beautiful , but  she works divinely with her looks and facial expressions and is so compelling in her desperate running after Wentworth in the end. Her physical effort, her palpitating excitement, a tear dropping down just in the expectation of a long-wished kiss make the moment of the declaration awesome. Not very Austenesque? Maybe, but very romantic.



Am I supposed to choose my favourite one  at this point? No, please don't ask me. I honestly find them both very good, though one is more appreciated by my literary taste and the other one by my impulsive love for  romance. Is it a deuce acceptable?

Ok. That is all for now. Remember, Jane in June goes on with all its fun at Book Rat. And this post is part of the event. Remember you've got the possibility to win my double giveaway just leaving your comments on the posts showing this badge on the left. For more information on June's giveaway, check my right sidebar. Good luck!

Friday, 18 June 2010

THOUGHTS ON CAPTAIN WENTWORTH - THIS MONTH'S HERO


(Captain Wentworth 2007 , Rupert Penry-Jones)

"A man does not recover from such a devotion of the heart to such a woman! He ought not; he does not”.

Is Captain Wentworth the prototype of the romantic hero? In fact , Persuasion is more an elogizing over the self-made man. A very brave, obstinate, handsome and charming self -made man. But Captain Wentworth is just one of several naval officers in this story who have risen from humble beginnings to affluence and status on the strength of merit and luck, not by inheritance. It marks a time where the very roots of society were changing, as 'old money' (exemplified by Sir Walter) had to accommodate the rising strength of the nouveau riche (such as Wentworth). The success of Austen's own two brothers in the Royal Navy is probably significant.

(Captain Wentworth 1971, Bryan Marshall)

Captain Wentworth had no fortune. He had been lucky in his profession; but spending freely, what had come freely, had realized nothing. But he was confident that he should soon be rich: full of life and ardour, he knew that he should soon have a ship, and soon be on a station that would lead to everything he wanted. He had always been lucky; he knew he should be so still. (chapter 4)


(Captain Wentworth 1995, Ciaràn Hinds)

Captain Wentworth is the prototype of the 'new gentleman.' Maintaining the good manners, consideration, and sensitivity of the older type, he adds the qualities of gallantry, independence, and bravery that come with being a well- respected Naval officer. He has made his own fortune through hard work and good sense, in direct contrast to Sir Walter Elliot, Anne’s father, who has only wasted the money that came to him through his title. Without land or high birth, Captain Wentworth is not the traditional match for a woman of Anne Elliot's position.


In the novel, Captain Wentworth develops, eventually overcoming his pride and shame at being once refused, in order to make another ardent overture to his chosen bride: his extraordinarily passionate  letter which was partly the topic of this post of mine in November 2009 .  This development is a sign of a promising future for their relationship. Like Admiral Croft, who allows his wife to drive the carriage alongside him and to help him steer, Captain Wentworth will make Anne happy, respecting and loving her throughout their marriage. This is Austen ideal vision of marriage, a “marriage of true minds”.



Though, when the paths of Wentworth and Anne do cross again,  he goes for a woman who’s the opposite to Anne: Louisa Musgrove. While Anne tends to watch and listen, Louisa is the one who is being watched and listened to by others. Since Louisa goes out and gets what she wants, whether it’s fixing her sister up with Charles Hayter or arranging a family trip to Lyme, Wentworth thinks that’s a sign of her firmness of character. And firmness of character, in his mind, translates as reliability – he can trust that once she makes up her mind, she’ll stick to it, while with persuadable characters there’s no way of knowing what they’ll do next. Wentworth tells Louisa as much:
"It is the worst evil of too yielding and indecisive a character, that no influence over it can be depended on. You are never sure of a good impression being durable; everybody may sway it." (chapter 10)
So, whatever might have been, what we have by the time the novel itself begins is a Wentworth who is doing very well for himself. What he lacks in birth and family connections, he makes up for in wealth and charisma. His "air" (chapter 20) is such that even Lady Dalrymple admires him. His ability to make a convert of even Sir Walter by the novel’s end shows how far money and style can get you even in aristocratic society, and suggests that the social hierarchy might be more open to change than it initially seems.
To get to his eventual revelation of feelings he needs some help, he needs to be sure, he needs to hear Anne demonstrate she's changed. That's spurs his will, he writes his letter while listening to Ann talk to Captain Harville: "No, no, it is not man's nature. I will not allow it to be more man's  nature than woman's to be inconstant and forget those they do love, or have loved. I believe the reverse. I believe in a true analogy between our bodily frames and our mental; and that as our bodies are the strongest, so are our feelings; capable of bearing most rough usage, and riding out the heaviest weather."

"Your feelings may be the strongest," replied Anne, "but the same spirit of analogy will authorise me to assert that ours are the most tender. Man is more robust than woman, but he is not longer lived; which exactly explains my view of the nature of their attachments. Nay, it would be too hard upon you, if it were otherwise. You have difficulties, and privations, and dangers enough to struggle with. You are always labouring and toiling, exposed to every risk and hardship.Your home, country, friends, all quitted. Neither time, nor health,
nor life, to be called your own. It would be hard, indeed" (with a faltering voice), "if woman's feelings were to be added to all this."

 
Only then Captain Wentworth beautiful words starts flowing down the paper ...

"I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago". ........



Do you think you know Persuasion well?
Try this QUIZ!


And remember this post is part of the Jane in June event, so leaving your comments here you can have another chance to win my double giveaway. Have a look at my right sidebar for information. Good luck!

Wednesday, 16 June 2010

RE- READING PERSUASION - THOUGHTS ON ANNE ELLIOT, THIS MONTH'S HEROINE

When writing Emma,  Jane Austen declared:  "I am going to take a heroine whom no one but myself will much like". In one of her last letters she , instead, referred to Anne Elliot as"a heroine who is almost too good for me."

(Ann Firbank as Ann Elliot BBC 1971)

What did Austen mean with “too good”? Anne Elliot is easily the most unique of Jane Austen's well-known heroines and represents a distinct departure from the author's typical characterization of female protagonists. When the novel begins, Anne is twenty-seven years old. She certainly possesses greater wisdom and maturity; but she lacks the usual verve and sparkle we associate with Elizabeth Bennet or Emma Woodhouse. Missing, too, is the playful sense of irony which Austen's other heroines revel. The most remarkable thing about Anne Elliot, however, is that she does not seem to have to acquire self-knowledge - her attitudes and behavior are astonishingly consistent from beginning to end. In fact, her character can hardly be said to "develop" in the usual sense of the word. All her development seems to have taken place in the eight years that precede the opening of Persuasion, the eight years since her fateful decision not to marry Captain Wentworth.

(Amanda Root as Anne Elliot BBC 1995)

She is clever and considerate. Anne takes pride in practicality, intellect, and patience.Though Austen very frankly notes that the bloom of youth has left her and that she is not the prettiest of the young ladies in the novel, Anne becomes little by little more attractive when her better qualities are noted. She is level-headed in difficult situations and constant in her affections. Such qualities make her the desirable sister to marry; she is the first choice of Charles Musgrove, Captain Wentworth, and Mr. Elliot.

Noted critic, Harold Bloom, seems to have put his finger upon it when he described Anne Elliot as having a "Shakespearean inwardness" . Like Shakespeare's most intensely inward character, Hamlet, she experiences a spiritual isolation and withdrawal from the dysfunctional world around her, she displays extreme introspection and psychological perspicacity and she possesses the strength of will to remain true to her character and values, despite changes in circumstance.

(Sally Hawkins as Anne Elliot - ITV 2007)

In the end, Anne concludes that she is right to have been persuaded by Lady Russell, even if the advice itself was misguided. The conclusion implies that what might be considered Anne's flaw, her ability to be persuaded by others, is not really a flaw at all. It is left to the reader to agree or disagree with this. Do you agree with her?
Personally, I think that the Anne, who made the mistake of being persuaded 8 years before, doesn’t exist any longer when the novel opens. She’s stronger now. She's suffered for the consequences of her choice and won’t repeat her  mistake.

I find Anne a convincing powerful heroine, maybe the strongest of Austen’s heroines. But ... I found this comment in a review of Persuasion online: “Anne would make a really bad reality show contestant, as she’s not one to take center stage and show off. The action of the novel is mostly driven by other people, while Anne observes, listens, and responds. It’s like everyone else has a blog, but she’s stuck just leaving comments” 

Funny,  indeed. Do you agree with this analysis of Anne’s personality? Its  author supports those statements with Anne’s tendency to self-abnegation in a family overcrowded by egos and with her acceptance of self-sacrifice. Is this a flaw or a virtue in her personality?


There is something more, something related to her marriage , which distinguishes Anne from other Austen heroines. I've found it in wikipedia:
"Persuasion manifests a significant shift in Austen's attitude toward inherited wealth and rank. Elsewhere in her writing, salvation for the heroine comes in the form of marriage to a well-born gentleman, preferably wealthy and at least her equal in social consequence. Elizabeth Bennet, for example, who has little money of her own, refuses the hand of a financially secure but unbearable young clergyman; dallies briefly with a penniless (and, as it turns out, utterly worthless) army officer; and finally marries Mr. Fitzwilliam Darcy, who has a great estate, a Norman-sounding name, and ten thousand a year. Emma Woodhouse, already wealthy and secure, marries 37-year-old George Knightley, a man not only from her own class, but from her extended family; and Marianne Dashwood loses her heart to a charming young wastrel, but then marries the virtuous Colonel Brandon, a man of property twice her age. Anne Elliot's "true attachment and constancy" to a dashing, self-made young outsider distinguishes her from all her sister Austen heroines".

This post is part of the event Jane in June hosted at Book Rat by Misty. So leaving your comment here you can get a chance (or another chance) to win two Austen - based books! This double giveaway will go on all the month through and the winner will be announced on the 30th. Please, do not forget your e-mail address!

The more comments you leave (one for each post ) , the more chances you'll have to win. Good luck!

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Thursday, 10 June 2010

RE- READING PERSUASION, MY FAVOURITE AUSTEN NOVEL



This month's book is Persuasion. We've read Jane Austen's major novels in six months with a small mixed -aged group of female readers at the public library here in our small town . Since my JA reading club's latest meeting (which was rather disappointing, do you remember?)   I've started thinking about how the same girls/ ladies who said they didn't like Emma (some of them without even reading it) will approach to this mature work, to Jane's Anne Elliot and to her Captain Wentworth. If the younger ones didn't like naughty sparkling Emma, will they like loyal, generous but  rather plain Anne?
Well, let's say , I just love this novel and  I simply want to  get caught in its re-reading for my own pleasure without worrying too much. I'm not lucky in my real life. I know very few people who like the same things I do, but in the blogosphere I'm sure there are plenty who can understand my deep esteem for such a talented, unique writer. I 'm so glad to the Net for the many satisfying, interesting, challenging, enriching acquaintances I've made in less than two years!

Our meeting should be on the last Saturday of June and tonight I'll start leafing through Persuasion again in search for the pleasure it has always succeeded in giving to me.
I checked my blogs to see how much I had already written about Persuasion but ... not so much! Only one post. Here it is. You 'll find also videos from the 1995/2007 adaptations as well as a clip of Greg Wise reading one of the best passages from the novel. It's all for today. Just to have a start. I'll be back in the next days with other posts about Persuasion.


 INTRODUCTORY NOTE


Persuasion was Jane Austen's last completed novel, written between summer 1815 and summer 1816. In 1816 the author fell into the lingering illness which eventually killed her, in July 1817.
Austen herself may have suspected the plot lacked her normal sparkle, since she thought the original ending was 'tame and flat', and rewrote it (the revised ending has a number of hanging threads which, perversely, leave a piquant taste). In March 1817 she told her niece Fanny Knight that she had another novel ready
for publication, but added: 'You will not like it, so you need not be impatient. You may perhaps like the Heroine, as she is almost too good for me.' Discriminating critics have, more often, found it her most mature—if least funny—work. The novel was published posthumously in a four-volume bundle along with  Northanger Abbey (her least mature work), by John Murray, in December 1817 (dated 1818 on the title page), together with an informative 'Biographical Notice of the Author' written by Jane's brother (and sometime unofficial literary agent) Henry Austen. The novel's action can be precisely placed (thanks to the Baronetage entry on the first page) as being over nine months,summer 1814 to spring 1815.


As  usual , preparing my next meeting at the library, I'll propose some questions from my curious quiz book. You'll find the answers here on my blog before the meeting takes place. Let's see how well you know Persuasion.

I / I How old is Anne Elliot?


1/2 What is the dominant element in Sir Walter's character?

1/3 Why is the period (1814) propitious for the letting out of fine country houses like Kellynch Hall? And who duly rents the establishment?

1/4 How are the Crofts related to the Wentworths?


1/15 What is the 'domestic hurricane' in the Musgrovehousehold?

1/16 Bath rings to the bawling of street vendors (such as muffinmen and milk-men) and the 'ceaseless clink of pattens'? What are these?

1/17 What does Sir Walter regret in his heir, William's, otherwise satisfactory appearance?

1/18 How long must Mr William Elliot decently mourn his deceased wife, before being able to remarry?

1/19 How big is the blister on Mrs Croft's heel?

1/20 What, in Admiral Croft's view, is James Benwick's principal failing?



1/21 What kind of acquaintance does Sir Walter tell the Dalrymples he has with Captain Wentworth?

1/22 How old is William Elliot?

1/23 How much has Captain Wentworth in prize money, to support him in civilian life?

1/24 When Captain Harville tells Anne 'if I could but make you comprehend what a man suffers when he takes a last look at his wife and children, and watches the boat he has sent them off in, as long as it is in sight, and then turns away and says, "God knows whether we ever meet again!",' what, exactly, is he picturing?

1/25 What is Anne's final good turn in the novel to those less fortunate than her lucky self?



This post is part of the event Jane in June hosted at Book Rat by Misty.
So leaving your comment  here you can get a chance (or another chance) to win two Austen based books!
This double giveaway will go on all the month through and the winner will be announced on the 30th.
Please, do not forget your e-mail address!

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Saturday, 5 June 2010

LOVE AND FREINDSHIP AND OTHER EARLY WORKS

When I studied Jane Austen at university I imagined her a middle-aged, strong -willed , intelligent woman who happened to live in the wrong age to fulfil her wish for independence and was , for that reason, quite angry for her unlucky fate. I thought her as proud as Elizabeth, as sensible and good mannered as Elinore, quite reserved and very generous like Anne Elliot. Anyhow, I got the image of the serious, reserved spinster feeling rather superior to many other women who had to come to a compromise with marriage.

Reading her minor works, Lady Susan last summer and these Juvenilia this weekend gave me a new image of Jane Austen. That of a lively, open-minded, humorous young woman who loved laughing, reading, gossiping and being under the spotlight.

Love and Freindship (Austen  wrote freind and freindship all the story through!) is the demonstration that her six major novels did not spring fully formed from Austen’s mind. She had a long literary apprenticeship supported and nurtured by her large, loving and scholarly family. Jane was born in 1775, the 7th of 8 children. Life at the Rectory at Steventon was entertaining and educational, the children were often staging plays or publishing magazines. During her teenage Jane wrote 3 volumes (the notebooks still exist – one in the Bodleian Library; the other two in the British Museum) of absurd but amusing stories and skits to be read aloud to entertain her family. Love and Freindship is the second of these volumes. She wrote Love and Freindship and Other Early Works between 1790-93 , when she was 15/17. This volume contains two short stories Love and Freindship and Lesley Castle .
In the pair of delightfully silly short stories Austen lampoons sentimental and Gothic fictions of the day with disrespectful parodies of the ridiculous overabundance in this novels of clichès such as love at first sight, elopements, long-lost relatives, fainting, fatal riding accidents, adultery and castles.

LOVE AND FREINDSHIP
In the first story, written in the epistolary form , the heroine Laura writes to Marianne, the daughter of her friend, Isabel. Here’s a detailed summary of the content or you can even read the whole story as Austen wrote it here.
It was lovely to imagine young Jane reading it aloud and all her dear laughing around her. There are several hilarious silly passages ,featuring an improbable series of faints, which made me laugh too:

(from letter 8)
"She (Sophia) was all Sensibility and Feeling. We flew into each other's arms and after having exchanged vows of mutual Freindship for the rest of our Lives, instantly unfolded to each other the most inward secrets of our Hearts. -- We were interrupted in the delightfull Employment by the entrance of Augustus (Edward's freind), who was just returned from a solitary ramble.Never did I see such an affecting Scene as was the meeting of Edward and Augustus.
"My Life! my Soul!" (exclaimed the former) "My Adorable Angel!" (replied the latter), as they flew into each other's arms. It was too pathetic for the feelings of Sophia and myself -- We fainted alternately on a sofa".

(from letter 9)
The beautifull Augustus was arrested and we were all undone. Such perfidious Treachery in the merciless perpetrators of the Deed will shock your gentle nature, Dearest Marianne, as much as it then affected the Delicate Sensibility of Edward, Sophia, your Laura, and of Augustus himself. To compleat such unparalelled Barbarity, we were informed that an Execution in the House would shortly take place. Ah! what could we do but what we did! We sighed and fainted on the sofa.

(from letter 13)
“I screamed and instantly ran mad. -- We remained thus mutually deprived of our Senses some minutes, and on regaining them were deprived of them again. For an Hour and a Quarter did we continue in this unfortunate Situation -- Sophia fainting every moment and I running Mad as often”.

The cult of sensibility – in which emotions are irresistible and overpowering and plots far-fetched and convoluted- was at its heights during Austen’s teenage years and scenes of fainting, raving heroines were inescapable.

To convey her satirical view of love and friendship, Jane Austen makes these themes oversimplified and stereotypical. They become paradoxical and make us laugh.
The device she uses to make sentimental clichés comical is exaggeration. For instance, the hasty decision to get married make Edward and Laura’s love at first sight rather improbable .This also shows that Jane Austen considered the romantic notion of sensibility as a myth. An improbable one.
So reading this short story can be just  fun but it can also give us an insight to understand and appreciate Austen’s method of pointing out the flaws of previous romantic views of love and friendship through satirical representations of anecdotes.

LESLEY CASTLE
Lesley Castle was probably written in early 1792 (when Jane was 16). It contains some amusing bits, a number of separate sub-plots and supporting characters. Peculiar is Jane Austen’s gleeful narrative employment of scandalous actions like seduction, elopement and divorce. She would tell about them in her major novels too, of course. We all remember the scandalous elopements of Whickham and Lydia in P&P or of Henry Crawford and married Maria Rushworth in Mansfield Park . But we can notice a big difference in Austen’s treatment of scandalous actions : both elopements in the novels are condemned while, here, in Lesley Castle when Louisa abandons her husband and child to run off with two other men, not only she isn’t punished but at the end of the story her ex- husband reports that they have both converted to Roman Catholicism, obtained an annulment, married other people and “are at present very good friends, have quite forgiven all past errors and intend in the future to be very good neighbours”.
This gleeful dealing with scandalous facts may be the reason why her family resisted the temptation to publish these Early Works until 1922. Notoriously, Jane’s sister Cassandra, who survived her by almost 30 years, destroyed in part her letters because she did not think them appropriately refined for the prudish Victorian era.

You can read Lesley Castle, An Unfinished Novel in Letters online clicking here

My lovely edition of this early works by Austen contains also:
- The History of England written when Jane was fifteen (1791) . It is a parody which pokes fun at widely used schoolroom history books such as Oliver Goldsmith's 1771 The History of England from the Earliest Times to the Death of George II;

- A Collection of Letters, which reveals Austen consciously experimenting with writing techniques and characters sketches. It is commonly said that Lady Greville of “Letter the Third” is the prototype for Lady Catherine De Burgh from P&P.

You can read Jane Austen’s The History of England online

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Sarah S. G. Frantz, assistant professor in English Literature at Fayetteville State University, stated that “the stories collected in this volume, complete with the natural spelling mistakes of an enterprising writer with less than three years of formal education, demonstrate the lively mind and ready wit of a teenage girl living in the late 18th century. They would be fascinating enough in their own right for what they reveal about life and literature, love and friendship, at that time. The fact that their creator has become one of the most famous, best loved authors of British literature is, in some respects, merely an added bonus”.
N.B. Since this post is part of the Jane in June event hosted by Misty at BookRat, leaving your comment you will be entered in the double giveaway announced here and running all through the month. You'll  find it also in the  right sidebar, "Two Books, One Winner".

Tuesday, 1 June 2010

WELCOME TO JANE IN JUNE & DOUBLE GIVEAWAY!


This is a blog post opening this month's great event: JANE IN JUNE: lots of Austen - based fun all over the blogosphere coordinated by Misty at  Book Rat . Here are some of mine contributions to the event:

1.Interview with Beth Pattillo, author of "Jane Austen ruined my life" and "Mr Darcy broke my heart" on Fly High! with giveaway of one of her novels :  CLICK AND READ. Go and comment to have a chance to win the delightful Mr Darcy Broke My Heart.

2. This month will be dedicated to the re-reading of my favourite among Jane Austen's six , Persuasion  (preparing the 6th and last meeting of my book club, let's hope I can finish the experience with less disappointment than  at the end of our latest meeting)

3.Review of The Matters at Mansfield (from the series Mr and Mrs Darcy's Mysteries by Carrie Bebris) on My Jane Austen Book Club

4. June 27th Journal of the last meeting of my JA reading club on My Jane Austen Book Club

5. Post about Jane Austen's juvenilia : Love and Freindship

GIVEAWAYS!!!

1.Beth Pattillo, Mr Darcy Broke My Heart (on Fly High!)


2  Laura Viera Rigler, Rude Awakenings of a Jane Austen Addict + Jane Austen and Juliette Shapiro, Sanditon. (here on My Jane Austen Book Club)

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To get the chance to win Mr Darcy Broke My Heart by Beth Pattilo, comment her interview on Fly High (HERE) adding your e-mail address.
To win instead the other two books (2 books 1 winner),  comment any of the posts you 'll find on My Jane Austen Book Club for JANE IN JUNE. The more posts you comment, the more chances you have to win them!
The names of the two winners will be announced on 30th June. Both giveaways are open worldwide.