Jane Austen’s works are
often classified as “romances.” The assumption comes from the premise that if
the heroine meets a handsome man in Chapter One, he must be the hero.
Fitzwilliam Darcy is the romantic hero of Pride
and Prejudice, and although he does not appear in Chapter One, he does make
an appearance by Chapter Three, and Austen’s chapters are short in comparison
to contemporary writers. However, if you know nothing of the story line nor do
you have sweet dreams of Colin Firth emerging dripping wet from a placid lake
(Sigh!) or of Matthew Macfadyen walking through the morning mist with an open
shirt and lots of chest hair (Sigh!), you may not think much of the infamous
Mr. Darcy.
Quite frankly, upon our
first meeting of this wonderful character, he is a jerk. He makes a horrendous
“first impression.” But that is the thing with Austen. Her original title of
the novel and her theme are one and the same: first impressions are misleading.
From the first line of Pride and Prejudice, “It is a truth
universally acknowledged that a single man in possession of a good fortune must
be in want of a wife,” Austen plays a merry game with her readers. “First
impressions” are misleading: Darcy does not come to Hertfordshire seeking a
wife; Wickham is not the perfect mate for Elizabeth; Jane might be more
beautiful than Elizabeth, but she lacks her sister’s depth of character;
Darcy’s best quality is not his wealth, nor is his worst quality his pride.
Austen’s theme permeates every line, and, generally, the reader does not
recognize that our favorite author hits us over the head with it. Readers
simply sense the resonance found within Austen’s works.
















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