Showing posts with label Quizzes. Show all posts
Showing posts with label Quizzes. Show all posts

Tuesday, 19 April 2011

WHO LIVES THERE QUIZ - WINNER ANNOUNCEMENT


Here's the solution to the the quiz I chose from Pocket Posh Jane Austen and posted last week. It was really an easy task for all you, Janeite friends! In fact, all the commenters guessed the six matches,  but only one of them  has won this lovely gift book. The correct matches are:

Colonel Brandon-Delaford
Mr. Bingley-Netherfield Park
Robert Martin-Abbey Mill Farm
Lady Catherine-Rosings Park
Sir Thomas Bertram-Mansfield Park
Mr. Knightley-Donwell Abbey


The copy of Pocket Posh Jane Austen has been won by ... Jenny Allworthy!  

Congratulations!

Thanks to all you who took part in this contest

Tuesday, 12 April 2011

WHO LIVES THERE QUIZ & GIVEAWAY - POCKET POSH JANE AUSTEN


An easy task for real Janeites. A quiz chosen from Pocket Posh Jane Austen to give you all a chance to win a copy of this precious fun little book. Ready to guess and e-mail me your answers at learnonline.mgs@gmail.com? I'll draw the name of the winner on April 19 so you've got plenty of time to discover the matches, if you're not ready yet. In fact, the task I propose is to match the following characters with their homes. Here we go:

Characters
Colonel Brandon
Mr Bingley
Robert Martin
Lady Catherine
Sir Thomas Bertram
Mr Knightley


Homes
Rosings
Abbey Mill Farm
Downwell Abbey
Delaford
Netherfield
Mansfield Park


Now, to have the chance to win a free copy of Pocket Posh Jane Austen - 100 Puzzles and Quizzes , just leave a short comment here with your name or nickname but, remember, DON'T WRITE THE 6 MATCHES in it.  Send them via e-mail at the address given above. This giveaway ends on April 19 and is open internationally. Good luck, everyone!

Friday, 25 June 2010

PERSUASION - Preparing tomorrow's meeting at the library. Questions and answers.



I'm preparing some notes for tomorrow's meeting at the library. Just some points for discussion. Questions more than answers. Let's hope they can stimulate good discussion and end , positively,  the experience of reading Austen's major six.

Here are some of my points/questions. I'd love to hear any other suggestion from you, of course.

1. Is Anne a frail or a strong woman? What do you most like in her? What, instead, do you like the least? 
2. What about Captain Wentworth? Is he too proud, too austere, too resentful toward Anne? What do you most admire in his character? Is there anything you don't like?
3. What is the role of parents in Persuasion? What kinds of examples do they set for their own children?
4. What rhetorical and narrative techniques does Austen employ in her novel? How do they affect the novel's overall narration?
5. Which characters change throughout the course of the novel? Which ones remain static? What are the larger implications for this personal growth or stagnation?
6. Why is it so important to keep Kellynch within the Elliot family? How important is Kellynch to the different members of the family?
7. Does Persuasion challenge or defend the status of class structure in early nineteenth century British society? How?
8. What is the significance of the title "Persuasion"? How are the novel's characters positively and negatively affected by persuasion in the story?
 9. The rogue in Persuasion: Mr Elliot, Anne’s cousin. Comparison with other similar male figures in Austen’s major works.
10. Persuasion, like Mansfield Park , has a number of characters who are in the navy. How positively/negatively are they depicted?
11. How the depiction of the warm – hearted naval families contrast with Anne’s own family? (her vain and rank-proud Baronet father and her cold and selfish elder sister)
12. Is Persuasion a romantic novel? Why or why not?



We are also going to compare some scenes from Persuasion adaptations 1995 and 2007.  First of all, the scenes in which Anne and Frederick Wentworth meet again after 8 years ; then the scene Jane Austen didn't include in the final version of the story but which she had written in a first version and which is present in both movies: Wentworth speaking on admiral Croft's behalf and offering to give Kellynch Hall back to Anne and her husband -to- be (Mr Elliot)  ;  finally , and of course, the endings of the two film versions.

Before leaving you, as I promised,  here are the answers to the quizzes I posted here


QUESTIONS & ANSWERS
I / I How old is Anne Elliot?
Twenty-seven—a rather more advanced age in the early nineteenth century than it might seem now.

1/2 What is the dominant element in Sir Walter's character?
'Vanity was the beginning and the end of Sir Walter Elliot's character' —vanity in the sense of 'egoism' and, secondarily, 'futility' ('vanity of vanities, saith the Preacher': in this case, implieth the novelist).

1/3 Why is the period (1814) propitious for the letting out of fine country houses like Kellynch Hall? And who duly rents the establishment?
The end of the Napoleonic Wars, certified by the Peace of Paris in June 1814, means that there will be a harvestable crop of 'rich Navy Officers ashore', demobilized, wanting to relax and spend their prize money in leisured, elegant surroundings that they have not been able to assemble themselves, being preoccupied with the defence of the realm. Peace (after victorious war) is good for real estate. Admiral Croft duly succeeds as occupant of Sir Walter's Somerset seat.

1/4 How are the Crofts related to the Wentworths?
Mrs Croft, the Admiral's wife, is the elder sister of Frederick Wentworth.
1/5 What is Mrs Clay's connection with the Elliot family?
She is the widowed daughter of Sir Walter's wily lawyer and agent, Mr Shepherd. Mrs Clay also has her wiles and as 'a clever young woman' has Sir Walter in her sights. Her freckles and worryingly prominent tooth may disadvantage her in his critical eyes; as, to the fastidious Sir Walter, might her 'clumsy wrist' (evident, presumably, when she plays any instrument such as the harp). She will also have to combat the apprehension of Lady Russell and Anne (whose position, with a stepmother her own age, would be impossible). All we know of Mrs Clay's marriage is that it was 'unprosperous' and, luckily for her, brief. We can only speculate what prematurely did for the late and unlamented Mr Clay. The couple had two children, of whom we know nothing more than that they exist.



1/6 What rank was Lady Russell's departed husband?
'Only a knight'.

1/7 What formal schooling has Anne received?
Three years at school in Bath, following her mother's death, when she was 14 and in the way at home. She disliked it. She is the only Austen heroine who has attended school. It is not, one gathers—from the examples of Louisa and Henrietta—a good thing to have been educated away from home (although in their case, it may have contributed to their exuberant self-confidence). Unlike Emma  Woodhouse, Anne knew her mother (whom she resembled), loved her, and was—as we guess—psychologically hurt, if not damaged, by the bereavement.

1/8 What profession was Frederick Wentworth's father?
We never know. His brother was a humble curate at Monkford, 'a nobody', as Sir Walter kindly puts it. The family does not, we suspect, have much in the way of private means. It is true that the Revd Edward  Wentworth is now married and has a living in Shropshire, and has made a little way up in the world—but he is clearly only a country cleric, of modest means compared to his nautical brother.
1/9 Why cannot Anne accompany the Charles Musgroves on their first visit to the Crofts at Kellynch Hall? Because Charles's curricle only carries two people—one passenger and one to drive.

1/10 How do Anne and Frederick greet each other, after eight years' separation?
'A bow, a curtsey'.

1/11 How many Charleses are there in the novel, and how many Walters?
Children are named as putative heirs. Charles Musgrove is named after his father, and his eldest son, little Charles, is named after him. Charles's second son, Walter, is named after his maternal grandfather, from whom he can reasonably expect a bequest (assuming the vain baronet does not spend all his substance before he dies). Sir Walter's distant heir, William, has Walter as his middle name. There are two other Charleses in the narrative, Charles Hay ter and Charles Smith. It creates an occasional confusion.

1/12 How often has Mary Musgrove been in her relatives', the Hayters', house at Winthrop?
'Never . . . above twice in my life'. Her father's daughter, she despises the connection as 'low'—or, at least, beneath a baronet's youngest child.

1/13 Has Anne ever visited Lyme before?
Apparently not, judging by the apparent novelty of the tour they all take around the resort, and Anne's later saying to Wentworth 'I should very much like to see Lyme again'. It may seem odd, the coast being so near Kellynch; but the resort was not fashionable (an all-important
consideration for Sir Walter). An early nineteenth-century guidebook tactfully recommends Lyme as being suitable for people of limited income: 'a retired spot. . . lodgings and boarding at Lyme are not merely reasonable, they are even cheap; amusements for the healthy, and accommodations for the sick, are within the reach of ordinary resources.' Definitely not somewhere for a conceited baronet and his family.

1/14 What is Lady Russell's favourite recreation?
Like Anne's, reading. She likes books and bookish people. It is something that has gone against both Frederick (man of action) and Charles Musgrove (sportsman) as suitors for her protegee, Anne.

1/15 What is the 'domestic hurricane' in the Musgrove household?
Christmas festivities, when all the children are home from school. Along with Scott's Marmion (1808), the novel offers one of the fullest literary descriptions of how the holiday was celebrated in the early nineteenth century, before the Victorians made it what it now is.

1/16 Bath rings to the bawling of street vendors (such as muffin-men and milk-men) and the 'ceaseless clink of pattens '? What are these?
Pattens were wooden soles set upon an iron ring, with straps that were then tied over the instep of the already-shod foot. This raised the wearer about an inch above the wet/muddy/messy road beneath, and hence kept the soft fabric or leather shoes clean and dry. When first invented it seems all classes wore them; but then of course it became obvious that any lady would not be walking in a dirty street, she would be in a carriage; therefore to wear pattens meant you were lower class. In Bath, at this date, pattens were probably being worn mostly by tradeswomen, although a few ladies may have used them just to putter around local shops. Jane Austen and her sister Cassandra certainly wore them in the muddy lanes of Steventon and Deane.

1/17 What does Sir Walter regret in his heir, William's, otherwise satisfactory appearance?
'His being very much under-hung'— that is, having a long lower jaw which projects, unaesthetically, beyond the upper, giving the face a bulldog-like appearance.

1/18 How long must Mr William Elliot decently mourn his deceased wife, before being able to remarry?
About a year, as social arbiters like Lady Russell assume. In fact, he is prepared to ride roughshod over such niceties.

1/19 How big is the blister on Mrs Croft's heel?
'As large', the Admiral says, 'as a three shilling piece' (around an inch and a half). The Crofts in Bath do not believe in wasting their money on coaches when God gave them legs.
1/20 What, in Admiral Croft's view, is James Benwick's principal failing?
 He is a little too 'piano'—or soft (his taste for poetry has done him no good in the profession).

1/21 What kind of acquaintance does Sir Walter tell the Dalrymples he has with Captain Wentworth?
 'A bowing acquaintance'—he merely knows the gentleman's name, and that he is a gentleman.

1/22 How old is William Elliot?
Thirty-four, which makes him the oldest lover in the action (unless we include the self-loving, 54-year-old Sir Walter).


1/23 How much has Captain Wentworth in prize money, to support him in civilian life?
A cool £25,000 (it translates as a seven-figure sum, in modern currency). We discover the sum only late in the novel. As a post-captain, he will get automatic promotion, should he stay in the service.

1/24 When Captain Harville tells Anne 'if I could but make you comprehend what a man suffers when he takes a last look at his wife and children, and watches the boat he has sent them off in, as long as it is in sight, and then turns away and says, "God knows whether we ever meet again.r\ ' what, exactly, is he picturing? The fond father and husband has his wife and family accompany him aboard ship, when embarking on a voyage (which may be for years, and may end in death in battle), before dispatching them back in a liberty boat. It is, in passing, one of the more moving moments in the novel and makes one rather love the bluff sea
dog.

1/25 What is Anne's final good turn in the novel to those less fortunate than her lucky self?
She induces Captain Wentworth to recover Mrs Smith's property in the West Indies, returning that
lady to a decent station in life.

The sixth and last meeting for this JA Book Club will be tomorrow June 26th 2010 at 5 at Subiaco Public Library. Wish me good luck!

Tuesday, 25 May 2010

THOUGHTS ON EMMA - THIS MONTH'S HEROINE

4 days to go. Next Saturday afternoon , I will be discussing Emma at the reading club. The more I read it, the more I like it. I know most readers prefer Pride and Prejudice or Sense and Sensibility, but I also know  many critics generally regard Emma as Austen's most carefully crafted or skillfully written novel. So I do not feel lonely in my sympathy for Miss Woodhouse and her  story, though I'm not a scholar or  a critic.
Austen herself acknowledged that Emma might present a problem for readers, "I am going to take a heroine whom no one but myself will much like." And much about Emma is indeed unlikable; she is snobbish, vain, manipulative, power-hungry, self-deluded, often indifferent to the feelings of others, and on at least one occasion terribly cruel ( at Box Hill , to Miss Bates).


But do these traits necessarily make her unlikable? Do her admirable traits redeem her, such as her love for her father, her wit,  her sense of social responsibility, and her gradual admission of error? Maybe. But, honestly, what I really love in her is the fact that she has flaws. She is really imperfect, so human.


Does the comedy of watching Emma the Egoist get her comeuppance through a series of errors and admit she deserved her comeuppance make her likable? Although Emma knows what the right thing to do is, she still behaves badly; does this all too common human trait make her sympathetic because readers can identify with her?
I can't identify with Emma, though I can sympathize with her,  but being more an Elinore or an Ann Elliot, I actually admire Emma , Marianne or Elizabeth Bennet. I even envy them!


The attitude of the narrator is another consideration in evaluating Emma. Though most of the novel presents Emma's point of view, an omniscient narrator tells the story. Do the narrator's choice of language, her tone, the details she adds, and her comments upon both Emma and the action affect the way we feel about Emma? The narrator clearly presents Emma's faults and her misguided behavior and unsparingly identifies them as such, but does the narrator also suggest a sympathy or even an affection for Emma that helps to moderate the reader's negative response to her? Or is even the narrator's attitude unable to overcome the negative effect of her faults and irresponsible behavior?
Clever  question... but I can't feel any hostility in the narrating voice, I do not think she is leading readers to dislike Emma. I'm sure the narrator likes Emma a lot when she smiles ( mind you, smiles not laughs) at her defects:

"Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very
little to distress or vex her.
She was the youngest of the two daughters of a most affectionate, indulgent father; and had, in consequence of her sister's marriage, been mistress of his house from a very early period. Her mother had died too long ago for her to have more than an indistinct remembrance of her caresses; and her place had been supplied by an excellent woman as governess, who had fallen little short of a mother in affection .
( ... ) The real evils, indeed, of Emma's situation were the power of having rather too much her own way, and a disposition to think a little too well of herself; these were the disadvantages which threatened alloy to her many enjoyments. The danger, however, was at present so unperceived, that they did not by any means rank as misfortunes with her.
Sorrow came--a gentle sorrow--but not at all in the shape of any disagreeable consciousness.--Miss Taylor married." (... )

Another question I would like to raise about the reader's response to Emma is this: even if Emma is unlikable or unsympathetic ( which I do not think) , is the novel automatically unlikable or flawed?
I find this novel so entertaining for many a good reason: The Eltons, Mr Woodhouse, Miss Bates, Frank Churchill and Jane Fairfax, Emma & Harriet's relationship... It is  pure fun!


Which of the other Austen heroines most shares with Emma?
Though I find her quite peculiar and unique in a brief overview of  fiction heroines, I think she shares much with Catherine Morland. Catherine doesn't have Emma's social background (Miss Woodhouse is  the wealthiest among Austen female protagonists, isn't she?) , not her intelligence nor beauty, the first is younger than the latter, but they have the same approach to reality. In which sense? They very often tend to  misinterpret reality or misjudge people, they have got a naive nature easily deceivable because they have very little experience of the world. They are rather impulsive and can't cope with their own sentiments. They try to "manufacture" events in their lives but often juxtapose what they think or reckon to what really happens. They finally understand and regret their mistakes helped by very intelligent, wise, sensitive and good-sensed partners they fall in love with and are loved by. They are very lucky indeed. Aren' t they?


But  Mr Knightley, this month's hero,  will be the subject of another blogpost in the next days. He deserves a post of his own.


So I'll leave you to the answers to some of the questions I posted few days ago.
The first 10. OK?


I / I The first sentence o/Emma—as of all Jane Austen's novels—is epigrammatic and memorable. The first epithet ascribed to Emma in it is 'handsome'. What is the overtone of the term?
That she is less than beautiful, that she is self-possessed, that she is more powerful than a mere 'Belle' (like her sister). The first description of Mr Elton is that he is 'a very pretty young man'. How different our initial impression of the heroine would be if the first sentence began: 'Emma Woodhouse, pretty, clever, and rich . . .'

1/2 How long has Isabella been married? Where does she live, and what do we deduce from these facts? She has been married seven years and is six years older than Emma. John Knightley, a younger son, could not inherit the Donwell estate so he married early and married rich—the elder Miss Woodhouse, with her thousands in the Consols. The John Knightleys live in Brunswick Square, Bloomsbury, in what is now central London, but which in their day was the northern limit of the capital.

1/3 What game do Mr Woodhouse and Emma play of an evening, at Hartfield?
Backgammon—a board game which nowadays has suggestions of the sinful casino. They apparently (from later references) play for 'sixpences' when visitors come. The point being made is that theirs is not an evangelical household.

1/4 How old is Mr Knightley?
He is 37 or 38. Why, one goes on to wonder, has he never married? Either because he is waiting for Emma, or he has had to get his estate in order. It is not excessively far-fetched (if rather un-Austenish) to suspect that Mr Knightley has a respectable lower-class mistress tucked away somewhere; not, obviously, in Donwell, to offend the neighbours; but maybe some innkeeper's wife/widow or similar, whom he visits when he goes to Richmond or Kingston markets.three years older than Frank, and twelve years younger than Mr Knightley. Mr Elton would have been ordained for three or four years, and done a first curacy before getting the living of Highbury. He has it, presumably, by virtue of his ingratiating manner, excellent character, and 'pretty' looks: he seems to have no family connections or 'interest' around Highbury.

1/6 How often does Frank see his father?
Once a year, in London. He did not attend his father's wedding.

1/7 Who was the widowed Mrs Bates's husband?
The Revd Mr Bates—a former vicar at Highbury. He was not, evidently, the vicar immediately before Mr Elton (who has just taken up the living). Talkative as the Bates household is, they never talk about him.

1/8 How old is Harriet, what distinguishes her from the other forty pupils at Mrs Goddard's, and who are her parents?
She is 17, a beauty, and 'the natural daughter of somebody' (a somebody in 'trade', as we eventually discover). She has, as the novel opens, been recently raised from 'the condition of scholar [that is, ordinary pupil] to that of parlour-boarder' (that is, she lives, as one of the family, with Mrs Goddard). Harriet evidently knows nothing of her father (nor her mother). Mrs Goddard may (but vouchsafes nothing to Emma). Harriet is, one presumes, not of local origin—otherwise gossip would supply the name of her parents.

1/9 What colour (precisely) are Emma's eyes? They are of 'the true hazle' and 'brilliant'.

1/10 How many children does Isabella have, and what are their names?
Five. In descending order: Henry, John, Bella, George, and baby Emma, aged eight months. She has been married seven years or so. Emma sketched them all two years ago, when there were just the four children. Emma is a fond aunt, we deduce.
  

Saturday, 22 May 2010

IN A WEEK IT'LL BE EMMA DISCUSSION!

Emma was written between January 1814 and March 1815. The setting of the narrative's action would appear to be recent: 1813-14. By this period, Austen was a known and successful writer. Like Sense and Sensibility, the work was published on commission by the distinguished house of John Murray. It was published ('by the author of Pride and Prejudice, etc.') in December 1815 (dated 1816 on the title page). The novel was dedicated to the Prince Regent, at the request of the Carlton House Librarian, the Revd James Stanier Clarke.

As usual, here are some questions from John Sutherland and Deirdre Le Faye, SO  YOU THINK YOU KNOW JANE AUSTEN! Quizbook 2005
I usually choose the easiest ones, that is level one, brass tacks. Do  you think they are easy?

I / I The first sentence of Emma—as of all Jane Austen's novels—is epigrammatic and memorable. The first epithet ascribed to Emma in it is 'handsome'. What is the overtone of the term?

1/2 How long has Isabella been married? Where does she live, and what do we deduce from these facts?

1/3 What game do Mr Woodhouse and Emma play of an evening, at Hartfield?

1/4 How old is Mr Knightley?

1/5 How old is Mr Elton?

1/6 How often does Frank see his father?

1/7 Who was the widowed Mrs Bates's husband?

1/8 How old is Harriet, what distinguishes her from the other

forty pupils at Mrs Goddard's, and who are her parents?

1/9 What colour (precisely) are Emma's eyes?

1/10 How many children does Isabella have, and what are their names?

1/11 What do we deduce from the fact that, in twenty-one years, Emma has not met the Martin family?

1/12 Who did Miss Nash's sister marry (very advantageously)?

1/13 Who is the best whist player in Highbury?
 
1/14 How large a contingent of servants and cattle does it take to get the five-strong Woodhouse party three-quarters of a mile to Randalls, on Christmas Eve?

1/15 What piece of land separates Randalls from Hartfield?

1/16 How long is it since Jane Fairfax was in Highbury?

1/17 Who was Jane Fairfax's father?

1/18 How much money did Miss Campbell bring to her marriage, by way of dowry? And how much are the other eligible ladies in the novel worth?

1/19 What is Mr Elton's first name? And Mr Knightley's? And Mrs Weston's? And Mr Woodhouse's?

1/20 What does Mr Knightley do with his last stored apples of the year?

1/21 With whom did Augusta Hawkins principally reside at Bath?

1/22 What is the name of Mrs Elton's cook?

1/23 Who is whose caro sposo and who is whose caro sposa?

1/24 What is Mrs Weston doing when she breaks the news of Frank's duplicity to Emma?

1/25 How long has Mr Knightley been in love with Emma?
 
Enjoy your reading or re-reading and , if you feel like and are interested in, have a look at these posts of mine about EMMA and its several adaptations:
 
(1996 movie - Gwyneth Paltrow & Jeremy Northam)
(ITV Emma -1996 Katie Beckinsale & Mark Strong)


(BBC EMMA 2009 - Romola Garai and Jonny Lee Miller)


1. Waiting for the new Emma or ...the ambiguous pleasure of liberty
2. Emma 2009: You will not ask me my secret? Yes, you're wise. But I cannot be. I must tell you...
 

Friday, 30 April 2010

READY FOR TOMORROW'S MEETING?

Tomorrow is Manfield Park day for our reading group. Our meeting is at 5 p.m in the afternoon. I must confess - I have already written this somewhere, I think - I always fear one of our meeting might  turn out something like this ... (watch the video below)




What disappointment for the Vicar! But what fun for us watching them!

While I was  getting my notes and videos ready , suddenly something came to mind: I hadn't posted the answers to the questions!  So, here they are at last.

Answers to the questions posted here

I / I How many children do the Price family have, and what are theirnames and ages at the start of the novel's main narrative?
Mrs Price (poor woman) has ten successful pregnancies in all, and Mary dies, leaving nine surviving Price children. They are, in descending order: William, Fanny, John (offstage), Richard (offstage), Susan, Mary (deceased), Sam, Tom, Charles, and finally little Betsey. When the sisters, as recorded in the opening pages, renew contact, Mrs Price has eight children (Mary still being alive) and is expecting her ninth, Charles.  Fanny, going then to Mansfield Park and never revisiting her home, does not meet Charles and Betsey until she returns to Portsmouth years later.


1/2 How recently has Mrs Norris seen her sister, Mrs Price, at the time of the novel's main action? 
She says 'she had not seen her poor dear sister Price for more than twenty years'. Even after the reconciliation which was sealed with the dispatch of Fanny, and despite the fact that she is Betsey's godmother, she has not made the relatively short (thirty-six-hour by coach) trip to Portsmouth. Presumably, (wealthy) skinflint that she is, Mrs Norris begrudges the expense of travel and overnight accommodation at an inn. Nor has Mrs Price ever been received at Mansfield Park. Which raises the question: after Fanny marries Edmund, will she be invited?



1/3 What argument does Mrs Norris adduce for the safety of introducing a girl into the Bertram family—specifically with regard to the two young sons of the family?

'Breed her up with them . . . and suppose her even to have the beauty of an angel, and she will never be more to either than a sister.' Mary Crawford, much later, observes that Fanny does indeed have a look of Edmund sometimes—a brother-sister similarity of feature.

I/4 Where does Miss Lee teach her three charges (Maria, Julia,and—latterly—Fanny) and what happens to the school-room?
It is the East room: so chosen because it will get the early morning light—when lessons begin. Facing east, it will also be cold, which is why Mrs Norris's prohibition on a fire being lit there, after Fanny takes it over as her study on Miss Lee's departure, is so cruel.


1/5 Who does Mrs Norris declare can help Fanny dress herself?
Either of the housemaids (that is, not a personal attendant, but a skivvy whose normal work is room cleaning).
1/6 How much older are Julia and Maria than Fanny?
Two and three years, respectively. Tom (a Cambridge man—who evidently spent more time at the racecourse at Newmarket than in his classroom) is seven years older, and Edmund (whose absence at
Eton and Oxford is only summarily described) is a couple of years younger than Tom.


1/7 How often does Fanny see William in the nine years she spends at Mansfield Park, and how often other members of her family?
She sees William twice. On the second occasion, when she is 18, they return together to Portsmouth. She has seen no member of her family—even on the occasion of the death of a favourite sister, Mary—in the intervening years.

1/8 How much income does Mrs Norris have?
Six hundred pounds a year, and free tenancy in the estate's 'White House'. She is rich. Presumably her elderly husband was as frugal as she.

1/9 What advantageous physical attributes does Henry Crawford possess?
He has good teeth, a pleasing address, 'so much countenance', and is 'well made' (that is, he has an athletic figure). But he is said to be 'plain' and, as the lofty (but stupid) Mr Rushworth points out, is short in stature—ambiguously five foot eight or  nine inches. From which we may assume that Rushworth is a bulky six-footer.
 
I / IO What does Dr Grant think to be 'an insipid fruit at the best'?
Apricots, thus condemning Mrs Norris's boasts about her superior Moor Park tree.
 
I / I I Why has Mary Crawford never ridden a horse, before coming to Mansfield (and appropriating Fanny's steed)?

It is odd. One assumes that her life has been entirely metropolitan and that she has never even spent any time at Everingham. But riding is not a universal attainment among the women in Jane Austen's world (can Emma ride, or Elizabeth?).

1/12 Who sits alongside Henry on the 'barouche box' on the visit to Sotherton?
 'Happy Julia'. Maria seethes. It is, of course, Mrs Grant who has placed Julia there as the eligible sister, hoping, evidently, that a match might be made. Maria is spoken for.


1/13 What are the 'curious pheasants'?
Ornamental breeds, as opposed to the preserved birds which Mr Rushworth's keepers raise at Sotherton. The ornamental birds were for ladies, as decorative garden pets. The preserved pheasants, in the nearby woods and moors, were for gentlemen to shoot.

1/14 Why did Mrs Whitaker, the housekeeper at Sotherton, turn away two housemaids?
For wearing white gowns—a privilege reserved for the ladies of the house. Fanny, for example, has a
white gown at her first dinner party; as Edmund gallantly says on that occasion, 'A woman can never be too fine while she is all in white.' A woman, but not a maidservant.


1/15 What is Fanny Price's favourite reading?
Poetry, biography,and improving essays. Not, definitely not, fiction.

1/16 Who is driven from home by a green goose?

Henry and Mary. Their reverend brother-in-law takes offence (becomes violent, indeed) when served a bird which has not been hung long nough. Without refrigerators it is a complex thing to have a bird 'mature' enough for the table—particularly the table of the epicurean Revd Dr Grant. At least, being fifteen years older than his wife, and a glutton, he will dig his grave with his teeth in a few years.


1/17 Where did Tom Bertram meet the Honourable John Yates?
At Weymouth, playground of wastrels in Austen's fiction.

1/18 Who divulges to Sir Thomas that private theatricals were inprospect?
Lady Bertram, who has lazily not followed the rehearsals and knows scarcely more about it than her amazed
husband.


1/19 Who says, pathetically, 'Every body gets made but me?
William. Promoted in the naval service, he means. He is, thanks to Admiral Crawford, eventually 'made' a lieutenant, and his career takes off.

1/20 What does William bring Fanny from Sicily?
 A 'very pretty amber cross'. Mary, symbolically, gives her a 'chain' to go with it. As she does so, Mary has a look around her eyes that Fanny 'could not be satisfied with'. As the reader will understand, Miss Crawford is scheming to capture the young girl for her brother.


1/21 What vessel is William posted to, after his promotion to lieutenant?
'H.M. sloop Thrush*.

1/22 Who thinks the alphabet 'hergreatest enemy'?
Little Betsey.

1/23 When she says 'what a difference a vowel makes \ what vowel is Mary Crawford thinking of?

The Hon. Mr John Yates 'rants' in his performance as Baron Wildenhaim. But he has not the 'rents', or income, to claim Julia as his bride.

1/24 How much does Sir Thomas give Fanny on her departure for Portsmouth?
Ten pounds. She does not, as she might, give the money to her mother. Part of it she expends on a silver knife for Betsey, another part on membership of the Portsmouth circulating library.
 
1/25 Where does Tom have the accident which precipitates the fever which leads, eventually, to his moral regeneration?
At Newmarket, drunkenly we presume, after a day at the races.

(Screencaps from angelfish /spikesbint Live Journal)

Questions & Answers from

Saturday, 24 April 2010

THIS MONTH'S HERO - EDMUND BERTRAM

I found this interesting comparison in an analysis of Edmund Bertram's character on line: Edmund has a lot of things in common with a Greek guy named Pygmalion. In the myth, Pygmalion was a sculptor who made a piece representing his ideal woman and then fell in love with her. In a sense, Edmund, too, created his own ideal woman – Fanny – and eventually chose her over the real, complicated, and imperfect Mary. Speaking to Fanny, Edmund notes, "I am glad you saw it all as I did." The narrator adds, "Having formed her mind and gained her affections, he had a good chance of her thinking like him" . I totally agree with it. What about you?

As Fanny is - in a moralistic outlook - the prototype of the model heroine, Edmund can be considered her male counterpart:

she is modest, generous, good-hearted and he is the moral conscience  of the book – he disapproves of the play, he lectures people, he becomes a clergyman, and he's often judgmental. Though, he has got a flaw (not in my opinion!) : his love for wordly Mary Crawford . In his relationship with Mary, he shows signs of changing . Edmund opens himself up to someone new and different , he is passionately in love with her, totally intrigued, and sincerely wants to marry her. But Edmund never fully seems to be willing or able to change himself in order to compromise with Mary. Rather, he expects her to do all the changing: "The issue of all depended on one question. Did she love him well enough to forego what had used to be essential points – did she love him well enough to make them no longer essential? "

In Mansfield Park we watch Edmund mostly through Fanny's eyes and we know she can't be objective.
What is puzzling is that we get very limited details about Edmund's relationship with the woman he eventually marries- he acts like an affectionate older brother to Fanny until the very end of the book, where the narrator gives us a brief account about how he fell in love with Fanny. Definitely unsatisfying to those who seek for romantic moments in Austen ( there are still so many!). We know a lot about Fanny's love for Edmund, but we don't get much of the reverse at all.
 
Anyhow, we can say he is a romantic hero, at least, in Fanny's eyes. He seems to live two parallel lives: one in the reality of facts in his turbulent relationship with Mary, the other one in Fanny's mind and heart, where he is irreprehensible, affectionate, sensitive.
 
Edmund can be considered an improvement of the character of Edward Ferrars (Sense and Sensibility) as properly suggested in an interesting essay by Ellen Moody, a Lecturer in English at George Mason University, titled In Defense of Edmund Bertram.
 

 
Now a game to play with Edmund. I messed up the timeline of his life in the novel. Can you re-arrange it? (put the letters in the right order). The key in my next post!
 
a. Edmund opposes the play but decides to act in it in order to avoid inviting a stranger over.
b.He and Mary have a major debate about the clergy while visiting Mr. Rushworth's house
c. Edmund accepts blame for the play when his father returns home.
d. Edmund then leaves to take his orders in the church
e. He often speaks up for Fanny when his mom and Aunt Norris mistreat her.
f. Before Fanny attends her first ball, Edmund gives her a chain for her cross.
g. He has a part opposite Mary and the two have a love scene together that they rehearse with Fanny's help.
h. Edmund writes to Fanny in Portsmouth and updates her on his trip to London to see Mary
i. Edmund then cares for his brother Tom when Tom falls ill
j.When Edmund returns he tries to convince Fanny to marry Henry.
k.Later Edmund marries Fanny and the two move into the Parsonage at Mansfield.
l. He picks up Fanny and Susan from Portsmouth.
m. His relationship with Mary continues to progress.
n. He is still wavering about what to do about Mary.
o. Edmund is nice to his little cousin Fanny after she moves in.
p. As an adult, Edmund remains the responsible son and plans to be a clergyman
q. Edmund continues to waver back and forth on his feelings for Mary, due to their many differing      beliefs.
r. Edmund fills Fanny in on his break-up with Mary.
s.Edmund is intrigued by Mary Crawford and begins falling for her.

Monday, 19 April 2010

THIS MONTH'S HEROINE - FANNY PRICE

THE HEROINE  - FANNY PRICE
Fanny Price is absolutely unique among Jane Austen's heroines. First of all her social rank, her background. She doesn't come from the country gentry, she is saved from poverty and a doomed destiny by her rich relatives. She is the daughter of a drunken sailor and of a woman who married beneath her when she comes to live with her wealthy uncle and aunt, Sir Thomas and Lady Bertram. Her mother has to ... send her away, because she has a hard time striving to get a living for all her children . They take her in as an act of charity to her parents. She is mistreated and always reminded of her "place" as a charity ward.

 Modest, always proper, and, as she grows older, quite beautiful, she eventually comes to be an indispensable member of the family. Her being a model heroine makes her again different from the other protagonists  in Austen's major novels. They are not always prim and proper, they are not flawless and they are all livelier than Fanny, even sensible Elinor and good-hearted, patient Ann Elliot. Mind you, this is my opinion, or the impression I get reading this novel again this month. Someone has compared her to the passive, prudish heroine of Richardson's Pamela, or Virtue Rewarded (Ornella De Zordo, "Il prezzo della virtù: la storia di Fanny Price e della sua perfezione" , The Price of Virtue, the History of Fanny Price and her Perfection). But Mansfield Park is not an easy reading and her heroine is again a means in the hands of her creator. Comedy is less direct in Mansfield Park and irony is subtler and more difficult to be caught. Anyhow, the female model embodied by the protagonist is the target of Austen's irony as well as those who, reading her story, might share and appreciate her values.

But what are her values? Fanny represents a moralistic-evangelical model in women's education, opposing her  aristocatic and sentimental cousins Mariah and Julia. She easily wins in the comparisons with her cousins but harder is for her to come forward if compared to clever, free and unprejudiced Mary Crawford. I have already borught about this point in my previous post about Mansfield Park. One of Fanny's limits, for instance, seems to be little spontaneous, condemned to play the part of the perfect young lady, incapable of expressing freely her thoughts and feelings and even of distinguishing between her real wishes and her sense of duty.
Finally, respect to her Elizabeth Bennet ,  Marianne Dashwood or Emma Woodhouse look  very rebellious and modern heroines.
Guess what? I hope I'll find someone among my mates at the reading club who will convince me I'm totally wrong with  poor Fanny and will help me to admire her a bit more. So far, hard task.

In the adaptation I've watched so far (1999 & 2007) Fanny is  more livelier and enterprising of the girl portrayed by Jane Austen. In the 1999 film Fanny (Frances O'Connor) is a writer and at the end of the movie Edmund ( Jonny Lee Miller ) tells her her novel is going to be published. In the 2007 ITV version Fanny has the naughty smile and provoking charm of Billie Piper and, as I've alredy stated several times,  I can't see Fanny in her acting.

This is all for today. I challenge you to a hard task. Would you please try to convince me I'm totally wrong about Fanny? Partially wrong can be enough, so that I can go on re-reading her story with a different perspective.  I hope I have time to discuss here the many important  themes and features in Mansfield Park before April 30th, because there are many and very serious. This novel is really challenging and interesting to one fond of literary texts like me, so don't worry I am enjoying the experience of going through it again. If I haven't got time, I'll write about them in my journal of the next meeting.
Now, I'll leave you with a  quiz with self correction about Mansfield Park. If you want to try it, CLICK HERE. What was your score at it?