Showing posts with label Female characters. Show all posts
Showing posts with label Female characters. Show all posts

Sunday, 13 July 2025

AUSTEN & THE ART OF SELF: IS EMMA WOODHOUSE A MODEL OF SELF-LOVE?

 




Among Jane Austen’s heroines, Emma Woodhouse stands out—not because she’s the most virtuous or modest, but because she’s bold, flawed, and entirely herself. At the novel’s outset, she is beautiful, clever, and rich—as Austen famously puts it—but also proud, meddling, and often blind to the needs and feelings of others. And yet, this complexity is precisely what makes her compelling. In an era when women were expected to marry well and behave modestly, Emma chooses independence and unapologetic self-confidence. This post explores how Emma’s journey through mistakes, self-awareness, and emotional growth makes her a surprisingly modern model of self-love—not as a static ideal, but as a dynamic, evolving woman learning to love herself more wisely.

Monday, 29 October 2012

ROUND CHARACTERS AND FLAT CHARACTERS IN JANE AUSTEN'S WORK

My students listening to one of their mates' lessons
I've been working on Jane Austen's novels with my students these days and you can only imagine what bliss that can be for me. Northanger Abbey, Pride and Prejudice and Persuasion are the novels we've been reading extracts from and working on. Now in one of the two class groups, they are going to read Emma - the whole novel - with their Italian teacher and, of course, we will discuss it in English together in my lessons after they finish. (You can find some of the materials and videos we used at my other blog LEARN ON LINE
1. My Students give their lessons: Persuasion by Jane Austen, 2.  Pride and Prejudice Part I  3. Pride and Prejudice Part II 4. Born to Be a Heroine: Watching Jane Austen's Northanger Abbey 
We discussed several issues like marriage, propriety and decorum, money and power, education of men and women in the Regency   but we also learnt something about irony and characterization in fiction.
This is what I wanted to share here tonight, something about characterization:  flat characters and round characters.
The difference was stated by the novelist E. M. Forster (I love all his novels!)  in his work Aspects of the Novel (1927)