JANE AUSTEN’S SANDITON
When Jane Austen was chronically ill with a mysterious disease in early
1817, she turned her thoughts to a happier subject. She started work on a witty
and delightful novel set in a seaside town, Sanditon. She never finished it. She just left us 11
chapters, about 60 pages.
Sanditon tells the
story of Tom Parker, who is obsessed with turning the sleepy seaside village of
Sanditon into a fashionable health resort. He enlists the backing of local
bigwig Lady Denham. Through a mishap, Tom makes the acquaintance of the
Heywoods and invites their eldest daughter, Charlotte for an extended stay at
Sanditon.
Meanwhile, Lady Denham, a widow, is playing matchmaker for her destitute
nephew, Sir Edward, who is determined to seduce Lady Denham’s ward, Clara. The
arrival of wealthy, mixed-race heiress Miss Lambe, under the protection of
Tom’s upright brother Sidney, adds an interesting complication. Eligible men
naturally find Miss Lambe fascinating, while Charlotte is intrigued by Sidney…
The
World of Sanditon, the official companion to the ITV series, delves behind
the scenes giving you the inside scoop on Andrew Davies’s adaptation of Jane
Austen’s last, unfinished work.
The book allows you to go behind the scene with the cast and crew,
exploring the world that Austen created and offering fascinating insights about
a period and the real – life heartbreak behind her final story.
The book will be a gorgeous addition to your Austen or period drama shelf: good-sized, beautifully designed, loads of pictures and the best information on every Regency and Sanditon related subject you can imagine.
You will also have access to location guides, interviews with the cast,
beautiful photography from the series and in-depth historical information by
esteemed author Sara Sheridan.
INTERVIEW WITH AUTHOR SARA SHERIDAN
Hello Sara and welcome to My Jane Austen Book Club.
Thanks for accepting my invitation to talk Jane Austen, Sanditon and the
Regency world.
My first question is… when was your first encounter
with Jane Austen and was it love at first sight?
Thanks for having me! I first read Jane
Austen at school – we studied Emma. I loved the romance– the frocks, the
manners and the humour. It wasn’t love for me – more a strong like. Later at university I studied English and became
interested in Austen’s work in the round as well as some of her contemporaries
(particularly the female writers Mary Brunton and Susan Ferrier). Then it was
love. Like many an Austen heroine, I’m hard to get, you see!
After writing a companion for ITV Victoria, you’ve
been asked to work on the companion book to ITV Sanditon. How different was the
Regency Era respect to the Victorian Era? Or were the periods in any way
similar?
The
Victoria book I wrote, which accompanied series 2, was set in the 1840s and
Sanditon is set in the 1820s so though they are technically different eras,
they are a lot closer than many people think. I have written 4 historical
novels set between 1822 and 1850 and have just started a fifth – so it is
familiar to me – a time of exciting transitions. At the start of that time frame (when Sanditon is set) the world was
about to change fast with a huge spate of technical innovations about to break
– by the 1840s railways connected previously distant parts of Great Britain,
photography was developed, telegraphic lines were laid – communications became
much more direct. So yes – different, in the same way say in the last 20 years
digital communications have changed our world. It’s still the same world though with many of
the same people!
I know you are an
active, passionate feminist. Do you think we can consider Jane Austen a
feminist? And what about Charlotte Heywood, the protagonist of Sanditon, or other major Austen heroines? Can we consider any of them a forerunner
model for women’s emancipation?
Jane Austen had definitely read Mary
Wollstencraft’s book, The Vindication of the Rights of Women and she as good as
quotes it in her writing, so yes, I would consider her a feminist in the terms
of her own era – which today of course is a low bar for equality activism. It’s
easy to see that Jane would have liked more legal rights, in particular the
right to own property and contract her own business – her books had to be
contracted by her publishers through her brothers, you see – she (as a woman)
wasn’t a legal entity. I suppose what
Austen’s leading female characters have in common is a sense of fairness so in
that regard I’d have to say I think they probably are pro-equality but
honestly, it’s so far from the struggles of today’s feminism, that it’s difficult
to equate the two. This is where we come from though, culturally. This was a
step on the journey in which we are still engaged.
Theo James and Rose Williams in a scene from episode 6, the ball in London. |
In your pages
dedicated to women in The World of Sanditon you discuss education, property,
inheritance and marriage. What aspect in
a Regency woman’s life did you find more infuriating?
The lack of legal rights, in particular the
right to property. I live in Scotland and in the Regency, women in Scotland had
property rights, a higher rate of literacy and other rights such as retaining
their own name on marriage. So looking at Austen’s life, the life of all
English women in the era – they feel confined. Can you imagine what Austen
might have achieved if she had had more rights and therefore more freedom?
Georgiana Lambe, the
wilful and headstrong heiress from Antigua,
is a very interesting and completely new character in Jane Austen’s
world. What did you discover researching on her?
I was surprised how many mixed race women I
found in Great Britain during the Regency era – many, like Georgiana, the
daughters of masters and slaves. I hadn’t realised how common this was though
not all the kids were lucky enough to be recognised by their fathers. It is an
absolutely shameful part of our history – and in the UK we are on the cusp of
fully recognising that, I think (and hope).
What aspect of Regency life was the most
fascinating to write about?
Always the women which is why I loved
writing this book so much! In 2016 historian, Bettany Hughes conducted a survey
of UK-based historical material and concluced only 0.5% of written history is
about women. So redressing that balance is a big part of my mission. I mean,
where are the women? Where are we? And if we don’t know the history of 50% of
the population, how can we know where we come from, understand where we are, or
see where we’re going? I wrote a book last year in which I remapped the country
according to women’s history (rather than men’s) It was a revelation. Our
grannies and great grannies were amazing and we have forgotten them and their
achievements… I just want to write more about those stories all the time!
Andrew Davies, who adapted Sanditon and other
Austen works for the TV, said that for
Jane Austen writing her final novel was “a bold departure from anything she had
done before”. Do you agree with him?
It is a brave soul who would disagree with
Andrew! And he’s right – Austen hadn’t written a BAME character before so that
in itself was a departure. Also the world of Sanditon, ie that of Regency
seaside development, would have been considered racy in the era – so Austen
clearly had a much more modern and challenging story planned than her previous
novels, which had been set in more traditional situations. Seaside towns like
Sanditon were cutting edge – places where the norms were challenged. Exciting
locations.
Charlotte is quite confused by Sidney's behaviour on the day of the regatta |
Let’s move to Austen
heroes and heroines. Who are your best favourite and why?
100% Elizabeth Bennett. So frank. So
authentic. So clever.
This is a game I
often ask my guests to play. If you could live in one of Austen novels, which
one would you choose and why?
Any novel
that would take me to London. I would love to experience the wild, dangerous,
rumbunctious world of Georgian London. It’s a place I love writing about – it’s the closest I can get to a time machine.
And if you could
travel back in time and end up living in Jane Austen’s age, what would you miss
the most from our contemporary world and what would you appreciate the most?
Modern
healthcare – honestly, it was so dangerous to get ill in the Regency era, it
sets me on edge. Also not having legal agency – that would be tough, as a
modern women used to earning her own money! But on the plus side, I’d love the costuming (assuming I get to
come from a wealthy family, of course) I think I would likely become a notorious
salonniere and blue stocking and perhaps shock society by travelling and
inventing things!
I loved watching
Sanditon on Sunday nights and I particularly enjoyed the comedy moments (Lady
Denham! Arthur Parker! Charlotte and Sidney bickering!) the beautiful scenery, the costumes and the
brilliant acting. What about you?
I was so
nervous.I had to be careful as I had undertaken not to give away any spoilers,
so I stayed offline! People kept asking what was going to happen and I had to
keep a poker face. But it was magical to see the production on the screen – I’d read the scripts and seen the sets but seeing how it
all came together and experiencing it as a drama was thrilling.
Jack Fox and Charlotte Spencer as Edward and Esther Denham |
And how would you recommend the series to our
US Austen fans, who are eagerly waiting
for the premiere on PBS Masterpiece (12th January 2020)?
You’re in for a wee treat!
Thanks a lot, Sara, for answering my questions and being such a kind
guest. I highly recommend our readers your The
World of Sanditon for an in-depth journey into the world of Jane
Austen and her final work .
Sara Sheridan is an Edinburgh-based
novelist who writes cosy crime noir mysteries set in 1950s Brighton and
historical novels based on the real-life stories of late Georgian and early
Victorian explorers. She has also written for children – her picture book I’m
Me has appeared on CBeebies three times – and occasionally takes on commercial
non-fiction project including, in 2017, writing the companion guide to the ITV
series, Victoria: Victoria
and Albert: A Royal Love Affair.
THE TV SERIES
Sanditon, Austen’s final, unfinished novel, has been adapted by ITV and the
8-part drama series has just ended for
British viewers and is now heading to PBS Masterpiece for US fans to enjoy and
where it is set to premiere on January 20th, 20202.
I’ve enjoyed watching it and I can say in all honesty that it has been one
of the most thrilling and catching watching experiences for me this year. But
you all know, I’m a desperate romantic,
a period drama freak and a very tolerant Austen-fan. My humble opinion? Just give it a chance and
before you are half – way through, you’ll be hooked and will want for
more.
The series has an awesome cast, some idyllic landscapes, love and
friendship firmly at the beating heart of the drama and hilarious comedy
moments.
The eleven chapters left by Jane Austen have been adapted and continued by
Andrew Davies and a team of expert
screenwriters.
In the cast Theo James (Sidney Parker), Leo Suter (Young Stringer), Rose
Williams (Charlotte Heywood), Kris Marshall (Tom Parker), Crystal Clarke
(Georgiana Lambe), Charlotte Spencer
(Esther Denham), Jack Fox (Sir Edward Denham) and Anne Reid (Lady Denham).
Leo Suter as Young Stringer |
6 comments:
What a fascinating post! Thanks to you both. I enjoyed the series although I will confess that the ending made me quite cross!
Wonderful interview!
denise
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Brilliant, captivating period drama, loved by so many, but unfortunately unfinished -left us gutted and heartbroken at the cliffhanger so untypical for Austen romance! Sanditon more than deserves a second season - we #SanditonSisterhood fight for it!!
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This series is totally a masterpiece.
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