Showing posts with label Jane Austen and performance. Show all posts
Showing posts with label Jane Austen and performance. Show all posts

Friday, 10 March 2017

MARINA CANO, JANE AUSTEN AND PERFORMANCE - THE 'PERFORMATIVE POTENTIAL' BEHIND AUSTEN WORKS

Dr Marina Cano has just published a very interesting study of Austen’s work and its afterlives. One chapter is dedicated to Jane Austen Fans; that is why I heard of Marina and her research before the book came out. She contacted me for her survey: am I not a truly devoted Austen fan who has the luck and joy to know a lot of truly devoted Austen fans?

I’m truly glad now to present the final work, Jane Austen and Performance, and to introduce  Dr Marina Cano  to you and let you discover more about her research in her own words.  She took some time to answer some questions and here’s the resulting interview.

When and How did you discover Jane Austen?

Like many of the fans who so generously answered my survey, I came to Austen through the film adaptations. In my case, it was Ang Lee’s Sense and Sensibility (1995)—with Emma Thompson, Kate Winslet, etc.—that made the trick. From there, I went to the novels—and more films!—Pride and Prejudice, Persuasion...And the rest is history!

How do you explain her being the most beloved author in English Literature?

This is the ultimate question I try to address in my book Jane Austen and Performance: I examine the “performative potential” behind her texts—in other words, her ability to make things happen. Readers “perform” her novels and her stories; they inhabit her characters on every reading, or every time they watch one of the film or stage adaptations, or revisit her stories in any way. And this does have an effect on people’s lives; it changes things, as so many of the wonderful respondents to my survey made clear. It might happen to some extent with other authors but not as much; I think it is what makes Jane Austen so special in English literature.